Paul Morris has been obsessed with men, their bodies and sex, all his life. With captivating photographs, raw observations, and a thoughtful, candid recounting of each singular encounter, Morris illuminates the nude bodies and revealed souls of the real men he meets. Now you can experience what it’s like to be in the studio with Paul through these behind-the-scene stories and full color images taken by the man himself.
PAUL’S MEN–a series of eBooks optimized for the Apple iPad by Treasure Island Media, so you can have hot, hung, beautiful men wherever you go.
Clark
Pony had interviewed him first and told me that I would like him. To be honest, I wasn’t in the mood to photograph anyone. And then Pony mentioned that Clark had come in with painted fingernails. I said, ‘No, I’m not interested. Get rid of him.’ I have no idea why I changed my mind.
I took some snapshots while he was dressed—I was intrigued by the fact that he’d brought a copy of the score to Brahm’s 4th Symphony with him. It’s one of my favorite pieces of music. I left, telling him to take his clothes off. When I came back it was as if a different man was in the room. Is it that he was hiding his own beauty, or is it that this is simply the everyday miracle of male youth?
Cliff
Before I photograph a man I have Pony or Brett videotape him as he undresses. Someday I’ll make a compilation of all of them. I think you can learn a great deal about a man by watching him take his clothes off. After this particular shoot Pony told me that for the first time he felt a little frightened. He said, ‘It was like being alone in a dark room with a wild animal.'”
There was a language barrier. It took a good while before I understood that he was from Greece, a small village he was sure I’d never heard of. I asked why he’d come to San Francisco. He shook his head slowly and said “No.
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